Following CABNOV’s recent exhibitions across Asia and the United States, we are excited to present Mental Landscapes – her first solo exhibition in New Zealand.
Enter the world of LYFE, where memories become landscapes, familiar forms take unexpected shapes and small details invite a closer look.
CABNOV – MENTAL LANDSCAPES
Mental Landscapes brings together a new body of original works at The Arts Hole, Queenstown, from 25 October–22 November 2026.
Collector & Invited Preview
Saturday 24 October · 5:30–8:30pm · RSVP required
Public opening
Sunday 25 October · 10am
The Arts Hole · Country Lane · Queenstown
REQUEST THE CATALOGUE
Explore the paintings, their stories, prices and availability ahead of the public opening on 25 October.
Leave your details below and we’ll email you the exhibition catalogue and a link to view the collection online.
You can also request an invitation to our Collector Preview on Saturday 24 October.
ABOUT CABNOV
CABNOV is a self-taught multidisciplinary artist based between the Philippines and New Zealand. Her practice sits at the intersection of memory, emotion and visual discovery, developing a distinctive world in which architecture, landscape and biomorphic figures become vessels for internal experience.
Working across painting, mural and sculpture, CABNOV invites viewers to slow down and search. Hidden letters, symbols and visual clues are woven throughout the work, transforming each composition into an active process of discovery.
THE EXHIBITION
Mental Landscapes develops from CABNOV’s ongoing interest in memory, internal monologue and the ways emotion can become embedded within imagined environments.
Her paintings are populated by biomorphic figures, fragments of architecture and shifting landscapes that feel at once familiar and invented. Forms appear to float, bend and reorganise themselves, creating spaces that resist a single fixed reading.
Throughout the work, hidden letters, symbols and visual clues encourage a slower form of looking. This sense of discovery draws on CABNOV’s childhood fascination with searching for concealed figures within Where’s Waldo scenes, transforming observation into an active and playful experience.
The vibrant palette is not simply decorative. It operates as a deliberate counterpoint to the complexity of the internal worlds being explored — allowing humour, optimism and psychological tension to coexist within the same visual space.